In honor of National Poetry Month, we’ll continue with an excellent poem by Naomi Shihab Nye.
The Words Under the Words
for Sitti Khadra, north of JerusalemMy grandmother’s hands recognize grapes,the damp shine of a goat’s new skin.When I was sick they followed me,I woke from the long fever to find themcovering my head like cool prayers.
My grandmother’s days are made of bread,a round pat-pat and the slow baking.She waits by the oven watching a strange carcircle the streets. Maybe it holds her son,lost to America. More often, tourists,who kneel and weep at mysterious shrines.She knows how often mail arrives,how rarely there is a letter.When one comes, she announces it, a miracle,listening to it read again and againin the dim evening light.
My grandmother’s voice says nothing can surprise her.Take her the shotgun wound and the crippled baby.She knows the spaces we travel through,the messages we cannot send—our voices are shortand would get lost on the journey.Farewell to the husband’s coat,the ones she has loved and nourished,who fly from her like seeds into a deep sky.They will plant themselves. We will all die.
My grandmother’s eyes say Allah is everywhere, even in death.When she talks of the orchard and the new olive press,when she tells the stories of Joha and his foolish wisdoms,He is her first thought, what she really thinks of is His name.“Answer, if you hear the words under the words—otherwise it is just a world with a lot of rough edges,difficult to get through, and our pockets full of stones.”
In an interview with Contemporary Authors, Nye said that she has “always loved the gaps, the spaces between things, as much as the things…Poetry calls us to pause. There is so much we overlook, while the abundance around us continues to shimmer, on its own.”
Nye evokes that sense of the “spaces between things” with her poem. In fact, the title “The Words Under the Words” brings about that sense of another world existing beyond the one we are so familiar with. The grandmother is made up of those gaps, of the moments that might otherwise be looked over in the way she bakes or in the sound of her voice as she tells a story. It’s a slow and engaging piece that manages to craft beauty out of the mundane and attempt to find that which is hidden in plain sight.